Helen

Last night's eight hours of sleep were more disrupted and fragmentary than the previous, but my brain wasn't wrong that in life Kenneth Colley was only a little taller than me and a year or so younger when he first sparked the fandom of Admiral Piett.

I read later into the night than planned because I had just discovered Irene Clyde's Beatrice the Sixteenth (1909), which would fall unobjectionably toward the easterly end of the Ruritanian romance were it not that the proud and ancient society into which Dr. Mary Hatherley awakens after a kick in the head from her camel while crossing the Arabian Desert has zero distinction of gender in either language or social roles to the point that the longer the narrator spends among the elegantly civilized yet decided un-English environment of Armeria, the more she adopts the female pronoun as the default for all of its inhabitants regardless of how she read them to begin with. Plotwise, the novel is concerned primarily with the court intrigue building eventually to war between the the preferentially peaceful Armeria and the most patriarchally aggressive of its neighbors, but the narrator's acculturation to an agendered life whose equivalent of marriage is contracted regardless of biological sex and whose children are all adopted rather than reproduced puts it more in the lineage of Theodore Sturgeon's Venus Plus X (1960) or Le Guin's The Left Hand of Darkness (1969) even without the sfnal reveal that Mêrê, as she comes to accept the local translation of her name, has not merely stumbled upon some Haggard-esque lost world but actually been jolted onto an alternate plane of history, explaining the classical substrate of Armerian that allows her to communicate even if it bewilders her to hear that the words kyné and anra are used as interchangeably as persona and the universal term for a spouse is the equally gender-free conjux. If it is a utopia, it is an ambiguous one: it may shock the reader as much as Mêrê that the otherwise egalitarian Armeria has never abolished the institution of slavery as practiced since their classical antiquity. Then again, her Victorian sensibilities may be even more offended by the Armerian indifference to heredity, especially when it forces her to accept that her dashing, principled, irresistibly attractive Ilex is genetically what her colonial instincts would disdain as a barbarian. Children are not even named after their parents, but after the week of their adoption—Star, Eagle, Stag, Fuchsia. For the record, despite Mêrê's observation that the Armerian language contains no grammatical indications of the masculine, it is far from textually clear that its citizens should therefore all be assumed to be AFAB. "Sex is an accident" was one of the mottoes of Urania (1916–40), the privately circulated, assertively non-binary, super-queer journal of gender studies co-founded and co-edited by the author of Beatrice the Sixteenth, who was born and conducted an entire career in international law under the name of Thomas Baty. I knew nothing about this rabbit hole of queer literature and history and am delighted to see it will get a boost from MIT Press' Radium Age. In the meantime, it makes another useful reminder that everything is older than I think.

As a person with a demonstrable inclination toward movies featuring science, aviation, and Michael Redgrave, finally watching The Dam Busters (1955) what I kept exclaiming were things like "If you want the most beautiful black-and-white clouds, call Erwin Hillier!" We appreciated the content warning for historically accurate language. I was right that the real-life footage had been obscured for official secrets reasons. The skies looked phenomenal.